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Choralia
provides three editions of training aids for the Requiem KV626
by W.A. Mozart, so as to best match the score
edition used by the choir. Edition 1 is based on the
edition published by Peters (Nr. 76), Edition 2 is
based on the edition published by B�renreiter (BA
4538), and Edition 3 is based on the New Novello
Choral Edition revised by Duncan Druce (NOV070529).
The vocal parts of the three editions differ for the
following details.
Requiem
Soprano,
measure 36: in Edition 1 the syllable
�na� is on the last-but-one note (C), while in
Edition 2 and 3 it is on the last-but-three (B
natural).
Alto, measure 12 - 13: in Edition 1
the syllables �do-na� are repeated on the
last-but-one (B flat) and last (A) note of measure
12, and the syllable �e� is placed on the first note
(A) of measure 13, while in Edition 2 and 3 the
syllable "e" goes throughout the last two notes of
measure 12 and on the first note of measure 13.
Therefore, a tie between the two measures is present
in Edition 2 and 3 while it is not present in
Edition 1.
Alto, measure 35: in Edition 1 the
syllable �na� is on the seventh note of the measure
(F), while in Edition 2 and 3 it is on the fifth
(E).
Kyrie
Soprano,
measure 6 (measure 54 in Edition 3): in
Edition 3 the first note (A) is a dotted crotchet,
while it is a crotchet followed by a quaver rest in
Edition 1 and 2.
Soprano, measure 11 (measure 59 in Edition 3):
in Edition 1 the syllable �i� is on the third note
of the measure (C sharp), while in Edition 2 and 3
it is on the second (D).
Soprano, measure 34 (measure 82 in Edition 3):
in Edition 1 the syllable �i� is on the last note of
the measure (B flat), while in Edition 2 and 3 it is
on the last-but-one (C).
Soprano, measure 38 (measure 86 in Edition 3):
in Edition 1 the syllable �i� is on the last note of
the measure (D), while in Edition 2 and 3 it is on
the last-but-one (E).
Alto, measure 37 (measure 85 in Edition 3):
in Edition 1 the syllable �i� is on the last note of
the measure (G), while in Edition 2 and 3 it is on
the last-but-one (A).
Alto, measure 40 � 41 (measure 88 - 89 in
Edition 3): in Edition 1 and 3 a single
sound �lei� is placed on the last note of measure
40, that is tied to the first note of measure 41,
while in edition 2 the same sound is divided in a
syllable "le", placed on the last note of measure
40, and a syllable "i" placed on the first note of
measure 41. In Edition 2 a tie is also shown between
the two notes, and its meaning may be debatable.
Tenor, measure 8 (measure 56 in Edition 3):
in Edition 1 the syllable �i� is on the fourth note
of the measure (E), while in Edition 2 and 3 it is
on the third (D).
Tenor, measure 36 (measure 84 in Edition 3):
in Edition 1 the syllable �i� is on the last note of
the measure (C), while in Edition 2 and 3 it is on
the last-but-one (D).
Tenor, measure 43 (measure 91 in Edition 3):
in Edition 3 a single sound �lei� is placed on the
last-but-one note of the measure (B natural), while
in edition 1 and 2 the same sound is divided into a
syllable "le", placed on the same note, and a
syllable "i" placed on the last note (C sharp).
Tenor, measure 47 (measure 95 in Edition 3):
in Edition 3 a single sound �lei� is placed on the
second (D) and on the last-but-one note (E) of the
measure, while in edition 1 and 2 the same sound is
divided into a syllable "le", placed on the same
notes, and a syllable "i" placed on the third (C)
and on the last note (D).
Bass, measure 27 � 28 (measure 75 - 76 in
Edition 3): in edition 1 there is a
syllable �i� on the last note of measure 27 (C), a
syllable �son� on the first note of measure 28 (B
flat), and the word �eleison� is repeated on measure
28 (�e� on the second note, �le� on the fourth, �i�
on the sixth, and �son� on the last); in
Edition 2 and 3 the syllable �le� is sung throughout
measure 27 and until the fifth note of measure 28
included, then �i� is placed on the sixth note and
�son� on the last note of measure 28.
Bass, measure 35 (measure 83 in Edition 3):
in Edition 1 the syllable �i� is on last note of the
measure (F), while in Edition 2 and 3 it is on the
last-but-one (G).
Bass, measure 46 (measure 94 in Edition 3):
in Edition 3 a single sound �lei� is placed on the
third (G) and on the last-but-one note (A) of the
measure, while in edition 1 and 2 the same sound is
divided in a syllable "le", placed on the same
notes, and a syllable "i" placed on the fourth (F)
and on the last note (G).
Dies irae
No
difference.
Rex tremendae
Alto, measure 12: the second note is F
in Edition 1 and 3, while it is C in Edition 2.
Tenor, measure 22: the only note is F
in Edition 1, while it is D in Edition 2 and 3.
Confutatis
No
difference.
Lacrimosa
Tenor,
measure 14: in Edition 1 and 2 the first
note (B flat) is a dotted crotchet tied to next note
(quaver, B flat) and followed by an A quaver, while
in Edition 3 the first note is a dotted crotchet (B
flat) immediately follows by an A crotchet.
Bass, measure 14: in Edition 1 the
duration of the last note of the measure is 3/8,
while it is 1/2 followed by a 1/4 rest in Edition 2
and 3.
Alto and tenor, measure 24 to 27:
entirely revised by the editor in Edition 3 with
respect to Edition 1 and 2.
Domine Jesu
Alto,
measure 43: in Edition 1 and 2 the
second and the third note (A and G) are semiquavers,
while they are quavers in edition 3. The first note
(B flat) is therefore a dotted crotchet in Edition 1
and 2, and a crotchet in Edition 3.
Alto, measure 60: in Edition 1 and 2
the last two notes (A and G) are semiquavers, while
they are quavers in Edition 3. The last-but-two note
(B flat) is therefore a dotted crotchet in Edition 1
and 2, and a crotchet in Edition 3.
Tenor, measure 18: in Edition 3 the
last note (quaver) is F, while it is E natural in
Edition 1 and 2.
Hostias
Alto, measure 71: in Edition 1 and 2
the last two notes (A and G) are semiquavers, while
they are quavers in edition 3. The last-but-two note
(B flat) is therefore a dotted crotchet in Edition 1
and 2, and a crotchet in Edition 3.
Bass, measure 19 - 20: in Edition 1
the syllable �ri� begins on the last note of measure
19 and continues on the first note of measure 20,
while in Edition 2 and 3 the syllable �mo� is sung
on both the notes of measure 19 and the syllable
"ri" is placed on the first note of measure 20.
Sanctus
Bass,
measure 21 to 23: the lyrics "-sis in
ex-cel-" exist in Edition 1 and 3, while they are
omitted in Edition 2, where the syllable "cel-" of
measure 19 is sung until the syllable "-sis" of
measure 25 (despite the presence of a 1/4 rest on
measure 21).
Benedictus
No difference.
Agnus Dei
No
difference.
Lux aeterna
Soprano, measure 18 (69 or 23 in Edition 3):
in Edition 1 the syllable �na� is on the
last-but-one note (C), while in Edition 2 and 3 it
is on the last-but-three (B natural).
Alto, measure 17 (68 or 22 in Edition 3):
in Edition 1 the syllable �na� is on the seventh
note of the measure (F), while in Edition 2 and 3 it
is on the fifth (E).
Tenor, measure 38 (89 or 43 in Edition 3):
in Edition 1 and 2 the syllable �num� is on the
fourth note of the measure (E), while in Edition 3
it is on the third (D).
Bass, measure 81 (132 or 86 in Edition 3):
in Edition 1 and 3 the lyrics are �pi-us� on the
first three notes of the measure, while in Edition 2
the lyrics are �qui-a� ("pi" is replaced by "qui",
and "us" is replaced by "a").
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